Category Archives: IM Mag 2017/2018

Isadora Romero: Amazona Warmikuna

Isadora Romero (Ecuador): Amazona Warmikuna
Inge Morath Award Finalist, 2017


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Amazona Warmikuna is a photographic project that portrays in a subjective manner the life of the indigenous women in the Ecuadorian Amazon rainforest. This series is inspired by the myth of the Amazonas by whom the region receives its name.

According to history, the Amazon Rainforest is one of the few places on Earth that was called after a female character, casually fictional. In the first community I visited, I was struck by the temperament of the women living there; they never stop defending life and their territory. Thanks to their organization, they have managed to unite the community in the fight against mining, a serious threat nowadays. This project is a tribute to their strength, to their mystical vision of the world. It is a tribute to the women building history.

Throughout my career I have been interested in the role women play anonymously in the world. I think that in addition to denouncing the inequalities, it is essential to spread stories of resilience, strength and empowerment, like Amazona Warmikuna, which invites the observer to a mystic journey. This path is just the beginning. My strategy will be to follow the indigenous women’s worldview, which professes that everything in the jungle is alive, that every plant, animal, object has its spirit, its magic and must be protected in order to achieve a harmonious life.

Johanna-Maria Fritz: Like a Bird

Johanna-Maria Fritz (Germany): Like a Bird
Inge Morath Award Recipient, 2017


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When seventeen, I started to accompany the East German family circus “Zirkus Rolandos”. During my education at Ostkreuzschule in Berlin I intensified my pursuit with “Rolandos” and searched all over Europe for extraordinary circuses. I stumbled upon the first and only circus in Iceland, Sirkus Islands, which I visited and whose staff I’ve been documenting since it’s early years. I presented this series of photographs in an exhibition as my graduation work.

For Like a Bird I travelled to Palestine (Westbank and Gaza), Afghanistan and the Islamic Republic of Iran. I was especially curious about the role of women in circus life and the environment the circus is based in – thankfully I was able to get access to the female culture in conservative societies like Iran and Afghanistan as I am myself a woman. With my work I pursue the object of overcoming prejudices and show how small communities are able to function in these conservative or conflict-ridden countries. I direct a spectators view to different worlds: The one of the circus as well as the society surrounding it and how the social fabric of the circus influences the outside and gets influenced itself in reverse.